Jun 15 2014 0

In this post we want to show you how not every idea that is pitched at the storyboard stage makes it into the final film – in this case it is the deleted snowball fight opening shot. Below are some shots and thumbnail sketches from this sequence:

The idea was to have a long sequence where we would introduce the children and show them having fun, before they got scared. Apart from the introductory nature, we also wanted to emphsise the big brother/young brother relationship between Clyde and Pete. By showing Clyde as the stronger, older brother, when Pete saves the day later on it would re-inforce the ‘young-brother-comes-good’ moment.

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Jun 01 2014 0

The process of building the village, piece by piece, is a time consuming one. After Katie has designed each item (from houses and streets to lamp posts and benches), Jon then builds a 3D model in Autodesk Softimage, as you can see below. However, there is quite a lot of ‘back and forth’ between Katie and Jon as assets are refined and re-modeled, as you can see from one of Katie’s notes about the street below.

03. Village houses - chimney variations 3D model

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May 25 2014 0

The Fearsome Beastie’s cave is one of striking images from the book, and a scene that we were relishing getting stuck into in the film! But it wasn’t only the cave that excited us – the trees, woods and screnery that surround the cave (and that Beastie would have to traverse to reach the town) were environments we could really be creative with. These 2 images are concept designs of the trees and atmosphere, very much when we were still seeing things in 2D:

02. Tree concept design (1)

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May 18 2014 0

The last time we showed the house, it was much more blocky and square, and was a much simpler, white 3D model. Since then we have done further refining, colour tests and have fully textured everything. This is a bit of a summary post, as we don’t have a lot of visuals from the texturing process, but we hope you can see how the house progressed from half colour tests to final texture:

The final house textured and coloured

The final house textured and coloured

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May 11 2014 0

After the downstairs room had been modeled in 3D and basic colours had been decided on, there was still a lot of thought given to the details and how the colours would balance with patterns. Katie and Jon wanted the children’s house to feel cosy, loved, and lived in, and for this they chose warm reds and pinks, a lot of photos, and a slight worn texture to everything. We wanted to show you a few variations from the many experiments we did with wallpaper, colour and textures.

04. Kid's house - downstairs room colour & pattern tests (2)

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May 04 2014 0

We have done a lot of talking about the artwork and modeling, but it’s important not to forget that at the heart of a film is story. We already have a fantastic story in The Fearsome Beastie. However, there is a difference between telling a story through a book, and laying that same story down on a timeline.

Day 2 - Animatic (11)

Simon, Katie & Jon laying down the cave scene on the animatic

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Apr 27 2014 0

If you’ve been enjoying seeing the characters and environment come together, then this post may not be the most exciting of them all! As important as the large environments are, such as the houses, cave and interior sets, every small detail and prop must be designed, thought out and fit in with the world. Below are a selection of smaller, background props that make up the village scene.

Village well

Village well

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Apr 13 2014 0

A few weeks ago we showed you the concept designs for the children’s bedroom – lots of moving furniture around and deciding where best to place beds and windows for the best shots. Well, with all of that signed off we were ready to go into building mode. Using Autodesk Softimage Jon began building the room, beds and toys.

Kid's house - bedroom 3D model props - floor

Some modeled toys and props next to Clyde and Pete’s bunkbed

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